Imagine a song so captivating that it dominates global charts for 14 weeks straight. That’s exactly what HUNTR/X’s ‘Golden’ has achieved, cementing its place at the top of both the Billboard Global 200 and Global Excl. U.S. charts. But here’s where it gets even more fascinating: this isn’t just any song—it’s the anthem from Netflix’s groundbreaking animated film, KPop Demon Hunters, which has shattered records since its release. Is ‘Golden’ just a catchy tune, or is it a cultural phenomenon?
As of November 3, 2025, ‘Golden’ continues its reign, marking an unprecedented 14th week at No. 1. The track, voiced by the talented trio EJAE, Audrey Nuna, and REI AMI, first claimed the top spot in July, becoming HUNTR/X’s debut chart-topper. And this is the part most people miss: the song’s success isn’t just about its melody—it’s a testament to the global appeal of K-pop and its fusion with other genres.
Meanwhile, the charts are heating up with another standout entry: LE SSERAFIM and j-hope’s ‘Spaghetti’ has sizzled its way into the top 10 on both global charts. This collaboration marks LE SSERAFIM’s first top 10 hit and j-hope’s second as a soloist, adding to BTS’s already impressive legacy. Speaking of BTS, did you know that as soloists, Jung Kook leads with five top 10 hits, followed by Jimin and JIN with three each? Does this signal a new era for K-pop collaborations, or is it just a fleeting trend?
For those curious about how these charts work, here’s a quick breakdown: The Billboard Global 200 and Global Excl. U.S. charts rank songs based on streaming and sales data from over 200 territories worldwide. The Global 200 includes all international data, while the Global Excl. U.S. focuses on regions outside the United States. These rankings are determined by a weighted formula that considers official streams, downloads, and sales from digital music retailers—though direct-to-consumer sales are excluded.
Diving into the numbers, ‘Golden’ maintains its lead with 120.8 million streams and 13,000 sales worldwide in the week ending October 30, despite slight dips in both metrics. The rest of the Global 200’s top five remains unchanged: Taylor Swift’s ‘The Fate of Ophelia’ and ‘Opalite’ hold strong at No. 2 and No. 3, respectively, while Alex Warren’s ‘Ordinary’ and Olivia Dean’s ‘Man I Need’ round out the top five.
On the Global Excl. U.S. chart, ‘Golden’ continues to dominate with 93.3 million streams and 7,000 sales outside the U.S. LE SSERAFIM’s ‘Spaghetti’ debuts at No. 3, following their previous top 10 hits ‘Easy’ and ‘Perfect Night.’ Interestingly, j-hope now has three solo top 10 entries on this chart, further solidifying his individual success alongside his BTS counterparts.
As we await the updated charts on November 4, 2025, one thing is clear: the global music landscape is more dynamic than ever. Luminate, Billboard’s data partner, ensures the integrity of these rankings by meticulously reviewing and authenticating all submissions. But what does this dominance of K-pop and its collaborations mean for the future of global music? Is it a passing fad, or are we witnessing the rise of a new musical empire? Share your thoughts in the comments—we’d love to hear your take!
